Untitled (BC-187)

Curator’s reflection

BC-187 is a raw, unapologetic self-portrait that confronts identity, judgment, and the labels society imposes. The phrase "The one and only Bitch" is not a search for validation it is a declaration, a refusal to be reduced by others' definitions.

The dense pattern of dots surrounding Broome creates a visual environment of noise and scrutiny voices, opinions, and expectations that surround and penetrate. Yet within this barrage, Broome meets us with steady eyes, not defensive, but direct.

The butterfly in the pink box suggests transformation, metamorphosis, and the possibility of becoming beyond judgment. It is a quiet counterpoint to the harsh words beside it, a reminder that change and self-acceptance can exist even within hostility.

This painting reveals a man using honesty and confrontation as his shield. It is both a protest and a release, a way to take back the narrative before anyone else can write it for him.

Broome often turned pain into a message. Here, he does not ask to be understood—he demands to be seen as he is.

Looking closer

The repeated dots resemble noise, criticism, or the weight of constant judgment. The bold use of text and color shows Broome's willingness to confront shame, labels, and stereotypes head-on. Broome often painted words to externalize the inner dialogue he could not ignore. This work suggests he was taking control of the narrative, refusing to be silent, and choosing to express what others might call unacceptable.

A moment to reflect

When others define you, they limit you. When you define yourself. you are free. Be your own truth. He left more than paintings. He left a life painted in brushstrokes.

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