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Gallery VIII: Words and Masks

Untitled (BC-062), William Henry Broome

Untitled (BC-062)

William Henry Broome

Date
n.d.
Medium
Ampersand Gessobord panel
Dimensions
16 × 20 in.
Credit
© Broome Collection Inc. · © Broome Holding LLC — Property of the William Henry Broome Collection. This artwork forms part of a privately held archival collection. Unauthorized reproduction, publication, photography, digitization, AI training, licensing, or commercial use is strictly prohibited. All rights reserved by Broome Holding LLC and affiliated entities.

Curator’s reflection

In this striking self-portrait, William Henry Broome presents himself as both creator and creation, a man who bears the many colors of his own imagination.

The duality of his hair-blue and pink-speaks to the constant tension between logic and impulse, calm and chaos, reason and emotion. The golden glasses frame eyes that see deeply and question relentlessly. The brush he holds upright is both a tool and a standard, crowned not with aggression, but with a pink bow, an unexpected symbol of tenderness, irony, and the artist's subtle humor.

Broome does not seek to adorn himself with false identity; instead, he lays himself bare in honest, unfiltered form.

This portrait invites us to consider the masks we wear, the colors we reveal, and the courage it takes to create without apology.

Like much of Broome's work, it remains an open-ended mirror for our own reflections on identity, creativity, and the beautiful contradictions we carry within.

Looking closer

  • Broome's use of contrasting color in both hair and symbol transforms a simple self-portrait into a layered statement. The pink bow atop the paintbrush-soft and unexpected-suggests that creativity is not bound by convention, but guided by individuality, wit, and emotional truth.

A moment to reflect

We paint not to be seen, but to see ourselves. He left more than paintings. He left a life painted in brushstrokes.