Untitled (BC-110)

Curator’s reflection

BC-110 is a powerful expression of emotional struggle and inner conflict.

Unlike traditional portraits, Broome surrounds his face with a storm of color and texture. The thick, layered strokes create a visual pressure that seems to close in-mirroring the mental and emotional weight he often carried.

The expression on his face is not one of anger, but of pain, confusion, and deep questioning. It is the look of a man searching-for meaning, relief, or perhaps, understanding. The furrowed brow, the tightened mouth, the slight recoil-these details reveal a mind wrestling with thoughts that are difficult to escape.

Broome's self-portraits are not attempts to glorify or idealize himself.

They are raw confessions. He does not hide his vulnerability; instead, he confronts it with brutal honesty. In this work, the background is not a place, but a feeling—a landscape of turmoil in which he is immersed, and from which he seeks peace.

For viewers today, BC-110 serves as a reminder that mental anguish is often invisible, yet real. Broome's art gives that invisibility a face, a voice, and a legacy so that others may feel less alone in their struggles and more encouraged to seek help, hope, and healing.

His brushstrokes were not just marks on canvas; they were the outpouring of a soul in search of light.

Looking closer

The impasto background is built with thick, expressive strokes that create movement, tension, and emotional intensity. The colors-greens, reds, oranges, and earth tones-evoke chaos and entrapment, contrasting with the pale face that emerges from the center.

A moment to reflect

Behind every silent struggle is a human being searching for the light. Be the reason someone finds it. He left more than paintings. He left a life painted in brushstrokes.

WHB Virtual Museum