Untitled (BC-101)

Curator’s reflection

This provocative work confronts the viewer with imagery that is both unsettling and deeply symbolic. Broome often used bold forms and raw expression to explore themes of identity, vulnerability, exposure, and the human condition.

The central figure-framed within a fiery, almost sacred mandorla-appears to be both revealed and wounded. The wide eyes suggest shock, awareness, or a plea to be seen. The surrounding field of agitated color creates a sense of intensity and psychological tension, drawing the viewer into an emotional experience that is impossible to ignore.

While the subject matter is enigmatic and provocative, Broome's intention is rarely about provocation for its own sake. Instead, he uses symbolism and distortion to communicate what words cannot express-fears, obsessions, spiritual questions, and the struggle to understand oneself in a complicated world.

This painting reminds us that Broome's work often moves between the deeply personal and the universally human. It invites multiple interpretations each shaped by the viewer's own experiences, beliefs, and willingness to look beyond the surface.

Looking closer

Broome's impasto technique creates a thick, tactile surface that adds emotional weight to the imagery. The vibrant oranges and reds form a halo-like field, suggesting energy, intensity, or spiritual significance. The distorted figure and raw symbolism challenge the viewer to confront discomfort and consider deeper meanings beneath the surface.

A moment to reflect

Some images disturb us because they reveal parts of ourselves we would rather not face. He left more than paintings. He left a life painted in brushstrokes.

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