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Gallery IV: Cabinet of Likenesses

William Henry Broome
Curator’s reflection
Among the many portraits within The Broome Collection, BC-124 stands apart as one of the collection's most enigmatic relationships. Two figures occupy the same space, yet they seem to exist in different emotional worlds. One appears restrained and introspective, while the other bears a butterfly across the forehead, a recurring symbol that surfaces throughout William Henry Broome's body of work.
Whether these are two individuals, two memories, or two aspects of the artist's own psyche remains uncertain. Broome offers no explanation. Instead, he layers expressive color, distorted features, and symbolic imagery to create a painting that feels suspended between reality and dream.
The butterfly is especially significant. As additional works in the collection reveal similar imagery, it begins to emerge not as decoration, but as part of Broome's private visual vocabulary. Across cultures the butterfly has represented transformation, renewal, fragility, and hope. Here it appears to rest upon the mind itself, suggesting that change begins not in the body, but within consciousness.
Rather than documenting a specific relationship, the painting invites viewers to consider the relationships that shape every human life-the people who influence us, the memories we carry, and the parts of ourselves that evolve through connection. Like much of Broome's work, the answers remain intentionally unfinished, allowing the mystery to become part of the experience.
Looking closer
A moment to reflect
Some people enter our lives to change us. Others remain only as butterflies in our memory. He left more than paintings. He left a life painted in brushstrokes.