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Gallery II: Open Country

William Henry Broome
Curator’s reflection
At first glance, BC-233 appears almost disarmingly simple, a butterfly or perhaps a moth with its wings fully opened against a brilliant field of yellow. Yet Broome’s treatment transforms this familiar image of nature into something heavier, textured, and deeply expressive.
The wings dominate the composition. Rather than delicate and pristine, they are built through dense, repeated strokes of white, ochre, brown, muted green, and touches of blue. They appear weathered and imperfect yet remain completely open suggesting both vulnerability and resilience.
The brilliant yellow surrounding the figure introduces warmth, light, and the possibility of renewal. At the center, however, Broome places a relatively small reddish-brown body supporting two enormous wings, creating a striking contrast between fragility and strength.
Within the broader emotional language of Broome’s work, the butterfly invites thoughts of transformation, freedom, and perhaps escape. But transformation does not necessarily erase what came before. The marks remain visible.
Perhaps that is what gives BC-233 its quiet power: Broome presents us with something marked by its journey, yet still capable of opening its wings.
Looking closer
A moment to reflect
Can something be weathered by life and still possess the strength to open its wings? Perhaps transformation is not about erasing what we have endured but discovering what we can become because of it. He left more than paintings. He left a life painted in brushstrokes.